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Charles conder The Fatal Colours oil painting


The Fatal Colours
Painting ID::  75467
Charles conder
The Fatal Colours
The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909). cjr

   
   
     

Charles conder Impressionists Camp oil painting


Impressionists Camp
Painting ID::  77230
Charles conder
Impressionists Camp
1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868?C1909). cyf

   
   
     

Charles conder Herrick s Blossoms oil painting


Herrick s Blossoms
Painting ID::  77237
Charles conder
Herrick s Blossoms
1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder cyf

   
   
     

Charles conder Arcadia oil painting


Arcadia
Painting ID::  77246
Charles conder
Arcadia
1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868?C1909). cyf

   
   
     

Charles conder Centennial Choir at Sorrento oil painting


Centennial Choir at Sorrento
Painting ID::  77268
Charles conder
Centennial Choir at Sorrento
1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868?C1909). cyf

   
   
     

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     Charles conder
     English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont

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     | Miel, Jan | Louis D. Fancher | MONNOYER, Jean-Baptiste |


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